5/13/2022
“In those days Athenian music comprised various categories and forms…Once these categories
and a number of others had been fixed, no one was allowed to pervert them by using one sort of tune in a
composition belonging to another category…children and their attendants and the general public could
always be disciplined and controlled by a stick. Such was the rigor with which the mass of the people was
prepared to be controlled in the theatre, and to refrain from passing judgment by shouting. Later, as time
went on, composers arose who started to set a fashion of breaking the rules and offending good taste. They
did have a natural artistic talent, but they were ignorant of the correct and legitimate standards laid down by
the Muse. Gripped by a frenzied and excessive lust for pleasure, they jumbled together laments and hymns,
mixed paeans and dithyrambs, and even imitated pipe tunes on the lyre. The result was a total confusion of
styles. Unintentionally, in their idiotic way, they misrepresented their art, claiming that in music there are
no standards of right and wrong at all, but that the most ‘correct’ criterion is the pleasure of a man who
enjoyed the performance, whether he is a good man or not. On these principles they based their
compositions, and they accompanied them with propaganda to the same effect. Consequently they gave the
ordinary man not only a taste for breaking the laws of music but the arrogance to set himself up as a
capable judge. The audiences, once silent, began to use their tongues; they claimed to know what was good
and bad in music, and instead of a ‘musical meritocracy’, a sort of vicious ‘theatrocracy’ arose. But if this
democracy had been limited to gentlemen and had applied only to music, no great harm would have been
done; in the event, however, music proved to be the starting point of everyone’s conviction that he was an
authority on everything, and of a general disregard for the law. Complete license was not far behind. The
conviction that they knew made them unafraid, and assurance engendered effrontery. You see, a reckless
lack of respect for one’s betters is effrontery of peculiar viciousness, which springs from a freedom from
inhibitions that has gone much too far…This freedom will then take other forms. First people grow
unwilling to submit to the authorities, then they refuse to obey the admonitions of their fathers and mothers
and elders. As they hurtle along towards the end of this primrose path, they try to escape the authority of
the laws, and the very end of the road comes when they cease to care about oaths and promises and religion
in general.” (Laws 700b-701c)
Plato’s underlying concern here is that increasing subjectification of taste leads to the
subjectification of societal norms, which will ultimately result in a breakdown of all values,
yielding a society without any sense of cohesion or regard for the common good. While he is
unwarranted in claiming that the connection is necessary, it is nonetheless a possible result of
rampant, unchecked individualism. I have quoted this passage here at length because it is a
model for most conservative arguments from potential consequence and captures the main