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522 TEXAS A&M LAW REVIEW [Vol. 7
treaty, the Berne Convention.
151
The Visual Artists Rights Act of 1990
(“VARA”) affords artists positive rights of attribution: “to claim au-
thorship of that work” and “to prevent the use of his or her name as
the author of any work of visual art which he or she did not create.”
152
This Act also prohibits misattribution, giving the right “to prevent the
use of his or her name as the author” of the work if it has been dis-
torted or modified, if that would be “prejudicial to his or her honor or
reputation.”
153
The Act further provides protection to the work itself,
providing the artist the right “to prevent any intentional distortion,
mutilation, or other modification of that work which would be preju-
dicial to his or her honor or reputation, and any intentional distortion,
mutilation, or modification of that work is a violation of that right.”
154
For some works of a particular status, there is an additional right of
integrity “to prevent any destruction of a work of recognized stature,
and any intentional or grossly negligent destruction of that work is a
violation of that right.”
155
The VARA, notably, is limited to a subset
of authors, giving rights only to the author of a “work of visual art,”
156
which is defined in considerable detail to include a “painting, drawing,
print, or sculpture, existing in a single copy, in a limited edition of 200
copies” or certain photographs, likewise limited to 200 signed copies
or fewer.
157
Similarly, under the California statute, the author’s rights
151. See Graeme W. Austin, The Berne Convention As a Canon of Construction:
Moral Rights After Dastar, 61
N.Y.U. A
NN
. S
URV
. A
M
. L.
111, 115 (2005) (“When the
United States finally joined the Berne Convention, the first ‘true’ multilateral conven-
tion on copyright, in 1988, its obligations included compliance with article 6bis which,
among other things, announces authors’ right ‘to claim authorship’ to their works.”)
(footnotes omitted).
152. 17 U.S.C. § 106A (2018);
H.R. R
EP
. N
O
.
101–514, at 2 (1990), as reprinted in
1990 U.S.C.C.A.N. 6915, 6924.
153. 17 U.S.C. § 106A.
154. Id.
155. Id. § 106A(a)(3)(B).
156. Id. § 106A.
157. The Copyright Act defines a “work of visual art” as:
(1) a painting, drawing, print, or sculpture, existing in a single copy, in a
limited edition of 200 copies or fewer that are signed and consecutively num-
bered by the author, or, in the case of a sculpture, in multiple cast, carved, or
fabricated sculptures of 200 or fewer that are consecutively numbered by the
author and bear the signature or other identifying mark of the author; or
(2) a still photographic image produced for exhibition purposes only, ex-
isting in a single copy that is signed by the author, or in a limited edition of
200 copies or fewer that are signed and consecutively numbered by the
author.
A work of visual art does not include—
(A)(i) any poster, map, globe, chart, technical drawing, diagram, model,
applied art, motion picture or other audiovisual work, book, magazine,
newspaper, periodical, data base, electronic information service, electronic
publication, or similar publication;
(ii) any merchandising item or advertising, promotional, descriptive,
covering, or packaging material or container;
(iii) any portion or part of any item described in clause (i) or (ii);
(B) any work made for hire; or