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16 PLAYBILL
ANN ROTH (Costume Design). Theater credits include
Hurlyburly, The Best Little Whorehouse in Texas, Singin’
in the Rain, Purlie, The Odd Couple, and Waiting for
Godot. Tony nominations: The Crucifer of Blood, The
Royal Family, Present Laughter, and The House of Blue
Leaves. Films include: Midnight Cowboy, Klute, The
Day of the Locust (BAFTA), The Goodbye Girl, Com-
ing Home, Hair, Working Girl, Sabrina, Silkwood, The
Unbearable Lightness of Being, The Mambo Kings, The
Birdcage, The English Patient (Oscar), The Talented Mr.
Ripley, The Hours, Cold Mountain, Angels in America,
The Way Way Back, The Stepford Wives, The Village,
Closer, and Evening. She won an Irene Sharaff Lifetime
Achievement Award in 2000.
BRIAN MacDEVITT (Lighting Design). The Book of
Mormon (Tony Award). Recent New York City: Death of
a Salesman directed by Mike Nichols, The Mountaintop
with Samuel L. Jackson, Chinglish on Broadway, and
The Enchanted Island at the Metropolitan Opera. Last
season he designed Le Compte Ory at the Metropolitan
Opera. Dance: American Ballet Theater, Tere O’Connor
Dance, Merce Cunningham, Lar Lubovitch, and Nancy
Bannon, among others. Director: Proof at Theater Three.
Awards: five Tonys, Obie, Bessie, Outer Critics’, Hewes,
and Drama Desk, among others. He is a member of
Naked Angels and faculty at University of Maryland. He
is a father to Jake and Georgie.
BRIAN RONAN (Sound Design) has designed sound
for more than 30 Broadway musicals and plays. Some
recent designs include Tuck Everlasting; The Last Ship;
Beautiful; Annie; Bring It On; Nice Work…; The Book
of Mormon; Anything Goes; American Idiot; Promises,
Promises; Next to Normal; Grease; Curtains; Grey
Gardens; and The Pajama Game. Off-Broadway
designs include Lazarus, Giant, Rent, Everyday Rapture,
Saved, 10 Million Miles and Bug. His career has spanned
30 years and taken him across America, Europe and
Asia. Brian is the recipient of Obie, Lucille Lortel,
Drama Desk, Olivier and Tony awards.
STEPHEN OREMUS (Music Director, Vocal Ar-
ranger, Co-Orchestrator). Broadway: Kinky Boots
(2013 Tony Award for Best Orchestrations and 2013
Grammy Award), The Book of Mormon (2011 Tony and
Drama Desk awards for Best Orchestrations and 2012
Grammy Award). Worldwide music supervisor/arranger
of Wicked; music supervisor/vocal arranger/orchestrator
of Broadway productions/tours of The Book of Mormon,
Avenue Q, All Shook Up and 9 to 5: The Musical. Other
credits: music supervisor, vocal arranger and orchestra-
tor: Tick, Tick… Boom!; music director: Andrew Lippa’s
The Wild Party; conductor and contributing orchestrator
for the Oscar-winning Disney film Frozen; music direc-
tor of the 87th Academy Awards telecast and “The Wiz
Live!” on NBC TV.
ALAN BUKOWIECKI (Music Director/Conductor)
National tour: Hair. Off-Broadway: Dr. Sex. Chicago:
Music Director of Dee Snider’s Rock and Roll Christmas
Tale, Altar Boyz and I Love Lucy Live on Stage. Regional:
Drury Lane Oakbrook, Chicago Shakespeare. M.A. from
the Royal Conservatoire of Scotland.
JOSH MARQUETTE (Hair Design). N.Y./London:
Dreamgirls, Paramour, Tuck Everlasting, School
of Rock, Something Rotten!, Aladdin, Kinky Boots,
The Book of Mormon, Trip of Love, First Date, Elf,
Dogght, The Best Man, Look Back in Anger, The
Drowsy Chaperone, Pig Farm, Trailer Park Musical,
Altar Boyz, Show Boat at Carnegie Hall. Encores! Most
Happy Fella; No, No, Nanette; Follies; Mamma Mia!
West Coast: Robin & the 7 Hoods, Peep Show, Minsky’s,
Vanities. Television: “The Slap,” “30 Rock,” “Saturday
Night Live.”
CARRIE GARDNER, C.S.A.
(Casting) also serves
as casting director for the Roundabout. Broadway:
Cyrano De Bergerac, Importance of Being Earnest,
The Pee-Wee Herman Show, Bloody Bloody Andrew
Jackson, American Idiot, Spring Awakening, Mrs.
Warren’s Profession, and Les Liaisons Dangereuses.
Off-Broadway: Sons of the Prophet, Look Back in Anger,
Suicide Incorporated, Dream of the Burning Boy, Tigers
Be Still, Ordinary Days, The Understudy, The Language
of Trees, Distracted, Speech & Debate, and Marriage of
Bette & Boo.
GLEN KELLY (Dance Arrangements). Music
supervisor and arranger for The Producers and Young
Frankenstein. Other Broadway credits include Death
of a Salesman, Scottsboro Boys, Spamalot, The Drowsy
Chaperone, Beauty and the Beast, Death of a Salesman,
The Frogs, High Society, Steel Pier, Dance a Little
Closer, and A Christmas Carol. For NYCB he arranged
the music and co-wrote the libretto for Double Feature.
Other ballet credits: Thou Swell (for NYCB) and But Not
for Me for the Martha Graham Company.
MICHAEL KELLER (Music Coordinator). Current
Broadway: Dear Evan Hansen, Hamilton, The Color
Purple, School of Rock, Kinky Boots, Wicked, The Lion
King. Upcoming Broadway: War Paint, Anastasia, The
SpongeBob Musical, Half Time. Tours: Kinky Boots, The
Book of Mormon, The Lion King, Wicked.
STEVE BEBOUT (Associate Director) also served as
associate director of The Addams Family (Broadway,
tour, Brazil, and Australia), Sister Act (Broadway), 101
Dalmatians (tour), and Girl Crazy (Encores!). Directing
credits include I Got Fired and Two Rooms in New York
City. Regional: The Full Monty, The Buddy Holly Story,
and Little Shop of Horrors. NYU: Urinetown and Bye
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